Was Chris McCandless Prepared When He Went Into The Wild...

The book about Chris McCandless’s journey into the Alaskan bush, Into The Wild by Jon Krakauer, received a lot of criticism about Chris being foolish for being unprepared. From the articles that I have read, most of the sources do believe that he was poorly prepared for his journey. But there are a few people who believe he was prepared mentally, and an even smaller amount believe he was fully prepared. I believe that Chris only knew what he was doing mentally. He did not have the correct tools or the developed skills to survive, for an extended period of time in the wild. But, he did know what he was about to get himself into. He planned out the trip and knew exactly what his risk factors were. Chris McCandless was either prepared†¦show more content†¦This forced him to hunt animals and gather berries and other edible plants for him to eat. In another article, by Craig Medred, he addresses Chris’s mental state, â€Å" â€Å"Personal identity is frequently di sturbed in schizophrenia. Early symptoms include the feeling that one is different or altered in some as yet indefinable way,† they write. â€Å"In other cases, patients may believe that they are someone else, either known or unknown, famous or infamous.† Many people have probably written about themselves in the third person at some time, as Supertramp did in his journals. But how many of them flip back and forth between competing identities?† Medred believes that Chris had schizophrenia, which is what caused him to create the pseudonym, â€Å"Alex Supertramp.† If Chris did have schizophrenia, like Medred thinks, then it creates a reasonable explanation as to why Chris left behind a good life to travel the United States. Not only does this make sense as to why Alex is brought into play, it could have made Chris believe that Alex had the skills to survive in the wild. And make Chris think that he could survive using the small amount of materials that he had brought with him. On July 20th, Judith Kleinfeld wrote a paper talking about Chris, the paper is called â€Å"McCandless: Hero or dumb jerk?† In the paper, she addresses the novel, â€Å"Jon Krakauers best seller Into the Wild immortalizes this young man, who walked into the wilderness with noShow MoreRelatedQuotes On Chris Mccandless806 Words   |  4 Pagesown life, or someone else’s. Chris McCandless was a man with unique qualities, and served to please himself and coincedently others as well. In the book â€Å"Into the Wild† the author, Jon Krakauer, explains the adventures and mishaps Chris McCandless went through in his life. Krakauer admired Chris for his personality, and his ability to be determined and hardworking at everything he did. Chris McCandless was an admirable man, with his individual view on life, and the way he could touch a person’s lifeRead MoreChris McCandless is NOT a Hero1239 Words   |  5 PagesInto the Wild, written by Joh n Krakauer tells of a young man named Chris McCandless who 1deserted his college degree and all his worldly possessions in favor of a primitive transient life in the wilderness. Krakauer first told the story of Chris in an article in Outside Magazine, but went on to write a thorough book, which encompasses his life in the hopes to explain what caused him to venture off alone into the wild. McCandless’ story soon became a national phenomenon, and had many people questioningRead MoreAnalysis Of Into The Wild By Jon Krakauer1303 Words   |  6 Pagesknows exactly what might happen. Tragedy can sometimes come when we least expect them while searching for what we believe can bring us peace and satisfaction. We see this in the novel, Into The Wild by Jon Krakauer about a young man who is searching for what he believes might give him freedom, he goes on his own journey without knowing the end consequences. The author includes and arranges many features that help better understand w hy he wrote this novel and for what purposes. The historical situationRead MoreChris McCandless Search For Truth in Jon Krakauers Into the Wild1308 Words   |  6 Pageshairstyle – we just always want what isnt ours. Chris McCandless from Jon Krakauers Into The Wild is no exception. He lives his life as part of an upper-middle class family, is smart, and goes to and does well in college, but he still feels like something is missing from his life. He want something completely opposite of the life hes used to. Chris McCandless spent a lot of time looking for something entirely different from what he already had and while he found true happiness it eventually lead toRead MoreOur Ability to Connect with Nature1553 Words   |  7 Pagesmay suggest that an individual came from nature. In the Genesis 2:7, Adam was created by God from the Earth’s dust and Eve was created from Adam’s rib. An individual should be able to connect with nature, because the individual was first created by Earth’s dust. However, t hat is not the case and an individual usually experience little to no connection with nature. In Martha Stout’s essay, â€Å"When I Woke Up Tuesday Morning, It Was Friday,† Stout mentions dissociation as the possible cause of why an individualRead MoreAdvantages And Disadvantages Of Life On The Road1463 Words   |  6 Pagescan be seen when Jon Krakauer wrote about Chris McCandless, a very famous traveler and an intelligent man, after his death in the book, Into the Wild. Chris McCandless was a 24-year old who finished college at the elite Emory University, but unexpectedly left his family and ultimately society, to live life in the wild. He decided to travel to Alaska under the name Alex Supertramp and mostly live dependent on the land with limited supplies and the aid of passerbys. Unfortunately, Chris ends up in death’sRead MoreEssay On Chris Mccandless1092 Words   |  5 PagesChris McCandless, the subject of Jon Krakauersâ€Å"Into The Wild,† whose off-the-grid Alaskan adventure ended in starvation is a hero and an idealist whose sense of independence and adventure inspires us to reach for our dreams. McCandless was a courageous man. He wanted to live a life that was completely different than the one his parents lead. And wanted to submerge himself in the world that we live in and be sequestered from people who take it for granted. However, most students see McCandless asRead MoreAnalysis Of The Book The Wild By Jon Krakauer1402 Words   |  6 Pagesremains were concluded to be those of Chris McCandless, an affluent 20-something from Virginia, who wound up dead following his two-year long self-righteous odyssey. Author Jon Krakauer wrote an article on McCandless for Outside magazine, which later disseminated into a novel titled Into the Wild. At a glance, McCandless and Ellsberg may seem like polar opposites, but after a parsing examination, one can see that they are incredibly similar. Both Ellsberg and McCandless advocat ed for and upheld their principlesRead MoreUse of Literary Techniques by Jon Krakauer When Writing Into the Wild1585 Words   |  7 Pages In the novel â€Å"Into the Wild† by Jon Krakauer, Krakauer tells the story of a Chris McCandless through different points of view perceived from people close to him. Despite the fact the Krakauer did not personally know Chris McCandless, Krakauer uses opinions from himself and others to help conclude meaning and impact behindMcCandless’s journey. Krakauer introduces events in the story in an order such that it also introduces the significance behind them. These techniques help the reader conclude theRead MoreAnalysis Of Chris Mccandless And Henry Thoreau1593 Words   |  7 Pageshow real it was. There was nothing more pure than sitting in the middle of nature. Everything was simple and true for once, unlike her childhood that was filled with civilization. Chris McCandless and Henry Thoreau had different reasons for going into the woods, they had the same view on how people should live, and they had a different way of living in the woods. Thoreau went into the woods to live life in its simplest form, where McCandless went into the woods to explore himself. He decided to live

Tda 2.4 Equality, Diversity and Inclusion in Work with...

TDA 2.4 Equality, diversity and inclusion in work with children and young people. In this essay i will be discussing equality amongst children, inclusion, inclusiveness and diversity and how to put these things mentioned into practise when working with children and young people. 1, Understand the importance of promoting equality and diversity in work with children and young people. 1.1 Identify the current legislation and codes of practise relevant to the promotion of equality and valuing of diversity. Current Legislations Children Act 1989 – Protecting children’s welfare and to provide services according to the specific needs of children. Human rights act 1998 – specifies and enforces the rights of individuals and if these†¦show more content†¦All schools are required to produce a Disability Equality Scheme (DES) that sets out ways to promote equality opportunity, positive attitudes towards pupils, staff and others with disabilities. Along with the above there must be an action plan in place to outline methods of removing discriminatory barriers for example: * Improvement to physical environments such as lifts, ramps, room layout, higher desks, and wider doors and so on. * Providing information and work in different formats such as larger fonts, auditory work, pictorial. School policies All schools must have policies that are designed to reflect the rights and responsibilities of those within the school. These policies should provide guidance to staff and visitors who attend the school on ways to ensure inclusive practise is used. These policies are as follows: * Race/cultural diversity * Equality of opportunity/inclusive practice * Safeguarding/bullying * Gifted and talented pupils * Special educational needs * Disability access These policies have been made in response to legislations that have been passed. Schools are obligated to monitor the affect of these policies to see what changes they bring forth and to make sure they are for the better, by doing this they can sort out the week points of the policies and adapt them to work for the better. 1.2 Describe the importance of supporting the rights of all children and young people to participation andShow MoreRelatedTda 2.4 Equality, Diversity and Inclusion in Work with Children and Young People1458 Words   |  6 PagesTDA 2.4 : Equality, diversity and inclusion in work with children and young people The current legislative framework protecting the equal rights of all children and young people are stated in the United Nation’s Convention on the Rights of the Child (1989). These rights are extensive, including the right to education and the right for children and young people to have their views respected. The Children Act 1989 sets out the duty of local authorities to provide services according to the needsRead MoreTda 2.4 - Equality, Diversity Inclusion in Work with Children and Young People2579 Words   |  11 Pages- | TDA 2.4 - Equality, Inclusion amp; Diversity In Work With Children and Young People. | Kerri Cook | | Contents Section One: Page 4 Legislation, participation, equal access and valuing and promoting cultural diversity. Section Two: Page 8 Prejudice amp; Discrimination and own attitudes, values and opinions. section three: Page 13 group inclusion Contents Page 4 - Section One Page 5 - 1.1 - Identify the current legislation and codes of practice relevant to the promotion of equalityRead MoreDiscrimination and Young People706 Words   |  3 Pages Promote equality, diversity and inclusion in work with children and young people 3 2 Assessment criteria The learner can: 1.1 Identify the current legislation and codes of practice relevant to the promotion of equality and valuing of diversity 1.2 Explain the importance of promoting the rights of all children and young people to participation and equality of access 1.3 Explain the importance and benefits of valuing and promoting cultural diversity in work with children and young people 1.4 InteractRead MoreTDA 3.2 organisation in schools Essay3183 Words   |  13 Pagesthis helpful. You don’t have to work this way. You can present your tasks in other formats if you wish as long as it demonstrates evidence of the knowledge and understanding. NB: Please ensure that you refer to the unit additional guidance throughout the completion of these tasks. The following units must be completed for achievement of the qualification. Unit ref Unit no Unit title Unit type Level Credit 1 F/601/3327 TDA 3.1 Communication and professionalRead MoreCashe Level 2 Essay example18123 Words   |  73 PagesCACHE Qualification Specification CACHE Level 2 Certificate for the Children and Young People’s Workforce (QCF) CACHE Level 2 Certificate for the Children and Young People’s Workforce (QCF)  © CACHE 2011 Except as allowed by law, or where specified in the text, no part of this publication may be reproduced or transmitted in any form or by any means without prior permission from the Council for Awards in Care, Health and Education. CACHE has provided this Qualification Specification in MicrosoftRead MoreEquality, Diversity and Inclusion in Work Children and Young People.773 Words   |  4 PagesTDA 2.4 Equality, diversity and inclusion in work children and young people. Unfortunately some children, at some point in their life will experience some form of discrimination. This could be anything from being called names because they wear glasses or being shunned in the playground because they aren’t wearing the latest fashion in coats or trainers. Sadly as children become young people this could also grow into discrimination due to their race, colour or even sexual preferences. WhateverRead MoreEssay on Tda 2.42734 Words   |  11 PagesTDA 2.4 Equality and diversity and inclusion in work with children and young people. 1.1. Identify the current legislation and codes of practice relevant to the promotion of equality and valuing of diversity. Equality Act 2010 The Equality Act 2010 aims to protect disabled people and prevent disability discrimination. It provides legal rights for disabled people in the areas of: †¢ employment †¢ education †¢ access to goods, services and facilities including larger private clubs and land basedRead More2.4. Diversity, Equality and Inclusion3667 Words   |  15 Pagesï » ¿TDA Unit 204 Equality, diversity inclusion in work with children young people [1.1].In your setting, there is a range of policies which formally sets out guidelines and procedures for ensuring equality. The policies must take into account the rights of all individuals and groups within the school as well as considering the ways policies work to ensure equality, inclusion. Policies also pay regards to the values and practice, which are part of all aspect of school life.   United Nation’sRead MoreChildcare: Education and Subject Code Essay43120 Words   |  173 PagesAccreditation Start Date: Ofqual Accreditation End Date: Ofqual Certification End Date: 31/07/2010 31/07/2014 31/07/2016 O:\ASCENTIS\Programmes\Vocational\Educational and Training\Support Staff in Schools\L3 MandatoryOptional Unit Booklet Support Work in Schools.doc ools Qualifications specification.doc Page 1 of 137 Version 2- 28th Feb 2011 Ascentis Level 3 Award in Supporting Teaching and Learning in Schools Subject Code: 501/1289/2 Ascentis Level 3 Certificate in Supporting Teaching and LearningRead MoreTDA 3.6 Promote Equality, diversity and inclusion in work with children and young people5854 Words   |  24 PagesSTL 3.6 Equality, Diversity and Inclusion 1.1 Identify the current legislation and codes of practice relevant to the promotion of equality and valuing of diversity. There is various legislation and codes of practice relevant to the promotion of equality and valuing of diversity in including: Human Rights Act 1998 – Gives further legal status to the standards on Human Rights that was set out in 1948 with the Universal Declaration of Human Rights. This highlighted the principle that all humans have

Book Review †Simply Jesus Free Essays

We can go about Sunday after Sunday worshipping the Lord Jesus and praying out to him in our own ways but at the end of the day, are we ready to deal with the challenges of the â€Å"real life†? Would we question ourselves on the reality of Jesus’ existence? â€Å"With Jesus, Its easy to be complicated and hard to be simple†, described the author. And it is so true that with our Limited ability to fully comprehend the works of Christ Jesus, he becomes rather â€Å"under-utilized†, grossly under-valued with Its full potential nowhere near realized. The gospels, like his computer, have every right to feel restated, says the author. We will write a custom essay sample on Book Review – Simply Jesus or any similar topic only for you Order Now Jesus, though he was actually king, did not come fully recognizable as â€Å"the king†, so that his believers need to â€Å"exercise faith† in believing that Jesus is indeed the real king through all his miraculous works! Jesus is unavoidable. But he is also deeply mysterious. While we know so much about Jesus, yet there Is only so little that we really understood of him. Jesus puzzled people then, and he puzzles us till this day! Firstly, we know that Jesus’ world was a strange, foreign country. Those days the people then thought differently. They coked at the world differently in cultural habits, practices and lifestyle. Secondly, Jesus’ God seem to strange to us! There are so many â€Å"gods† from some of the world’s great religions that it is not sufficient Just to ask, â€Å"Do you believe? † but to also ask, â€Å"Which god dowdy believe In? â€Å". We need to get Inside Jesus’ world and try to catch a glimpse of what he meant when he spoke of God. Only then, we can begin to look Into think you were allowed to do, and he explained them by saying he had the right to do them! Of course, with all that said, Jesus didn’t have â€Å"authority’ over us. Nevertheless, the right to â€Å"choose† still lies in our hands today. How to cite Book Review – Simply Jesus, Papers

How does Shakespeare create dramatic impact in Act 1 Scene 5 Essay Example For Students

How does Shakespeare create dramatic impact in Act 1 Scene 5 Essay Shakespeare uses a wide range of skills to portray the development of a character throughout the play. Through using the stage and actions of the actors to convey the drama and emphasise how the characters are feeling, and through careful language that allows the audience and reader an insight into the characters personality, both being responsible for creating dramatic impact creating interest which draws the audience in. This scene is the introduction of the first meeting between Viola and Olivia, and both have a presumption of how each other behaves and have a small expectations which alter as the text continues. Olivia is a character we have yet to be properly introduced until this scene so far in the play, all that is known to the audience and Olivia, is that she is of Noble status, in mourning for the death of her brother, and the object of the Dukes desires. She is veiled which gives her a literal disguise, as sense of anonymity which acts as her defence mechanism against the Duke. With the status of being a Lady there is a respectable, educated manner that is presumed of her, to which she upholds throughout the play always holding the conversation and keeping control of where it leads. This is shown through the structure of the text, where she is usually asking the questions: Where you sent hither to praise me? How does he love me? Are you a comedian? Violas personality is however familiar to the audience in the previous scenes and the audience is aware of her disguise. This causes visual impact, as the audience is aware of something the other characters are not which creates a tension between the audience and the stage. Not only is Viola physically disguised as Cesario she is also disguised mentally as Cesario. She has to take leave from her female noble status into a young male servant to which she has to learn to be accustomed to. Not only are they disguised in their appearance, they are disguising their feelings. Viola has feelings for the Duke and is actually incapable of revealing them for the fear of her true identity being revealed. Through the twists in the plot Olivia becomes attracted and bemused with this young youth Cesario before her, she is attracted to his frankness and welcomes his audacious approach. Twelfth Night is all about roles and role playing which is dramatic in the figurative form. The further we get into the play the further they move from their roles into something that is more personal and true to themselves. Olivia in this scene with Viola moves from her immediately dismissive almost protective anonymity where she uses complex words to show off her importance and heritage to undermine the messenger, tis not the type of moon with me to make one in so skipping a dialogue. This however does not work, and Violas persistence in identifying who the Lady is through the veiled disguise, warrants Olivias interest leading to her revealing herself literally, breaking an oath she claimed she never would. Viola says: Are you the Lady of the house?, for she does not want to cast away her speech for which she says was excellently well penned on someone of no significance. Olivia later replies, we will draw the curtain and show you the picture. Viola is incapable of remaining impartial throughout this scene, and becomes impertinent in her approach, she steps out of her role, and through blind jealousy of the Dukes passion for this lady before her, begins to almost size up the competition, and remarks rather snidely when Olivia is asking for approval of the beauty of her face, Excellently done, if God did all and further more accuses he of being proud, I see what you are, you are too proud. For a servant this is completely outrageous remark, after all she is accusing a Lady of one of the seven deadly sins. Olivia however does not upbraid Cesario, only simply says, you are now out of your text. .u488a1d88a735156a4dcc878ac97163af , .u488a1d88a735156a4dcc878ac97163af .postImageUrl , .u488a1d88a735156a4dcc878ac97163af .centered-text-area { min-height: 80px; position: relative; } .u488a1d88a735156a4dcc878ac97163af , .u488a1d88a735156a4dcc878ac97163af:hover , .u488a1d88a735156a4dcc878ac97163af:visited , .u488a1d88a735156a4dcc878ac97163af:active { border:0!important; } .u488a1d88a735156a4dcc878ac97163af .clearfix:after { content: ""; display: table; clear: both; } .u488a1d88a735156a4dcc878ac97163af { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u488a1d88a735156a4dcc878ac97163af:active , .u488a1d88a735156a4dcc878ac97163af:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u488a1d88a735156a4dcc878ac97163af .centered-text-area { width: 100%; position: relative ; } .u488a1d88a735156a4dcc878ac97163af .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u488a1d88a735156a4dcc878ac97163af .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u488a1d88a735156a4dcc878ac97163af .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u488a1d88a735156a4dcc878ac97163af:hover .ctaButton { background-color: #34495E!important; } .u488a1d88a735156a4dcc878ac97163af .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u488a1d88a735156a4dcc878ac97163af .u488a1d88a735156a4dcc878ac97163af-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u488a1d88a735156a4dcc878ac97163af:after { content: ""; display: block; clear: both; } READ: Is Shylock a villain or victim in Shakespeare's The Merchant of Venice EssayOlivia also reveals begins to reveal herself to Viola. At the beginning she is very cynical and dismissive of the messengers speech, and remarks quite coldly when Viola refers to the Dukes love lying in his bosom, O. I have read it: it is heresay. Further on in the conversation however she reveals a more honest and forthright insight into her feelings for the Duke. She states simply that no matter how suitable he is for her, and how many qualities he has, she wants to stick to the romantic notions of love and says simply to Viola, But yet I cannot love him: He might have took this answer long ago. Dramatic irony is continually featured in Twelfth Night and especially in this scene, the audience is capable of knowing the immediate circumstances of the story than the actual characters within it do; the audience is able to see a discrepancy between characters perceptions and the reality they face. Viola and Olivias beliefs become ironic because they are different from the reality of their immediate situation, and there intentions are likewise different from their actions will have. This not only creates tension between the characters, but between the audience and the characters as the audience has to wait in suspense for the truth to be revealed. They are both trying to outwit each other which for Olivia is battling between class difference, and for Viola it is about jealously of Orsinos love and trying to demote Olivias womanhood. After their introductions they become very personal, and Olivia asks, what are you? what would you? to which Viola ironically replies, What I am, and what I would, are as secret as maidenhood. This has an explicit meaning as well as an ostensible one. There is a more significant underlining meaning behind this statement, the fact that she is a maiden is oblivious to Olivia, she only sees the surface truth of that line.It is also clear that Viola is left in the dark also about Olivias character, she says, I see what you are, this is far from the truth. She thinks she is seeing the real Olivia however she still manages through being blinded by her jealousy, fails to notice the humility and honesty of what Olivia is telling her because she is refusing to believe that Olivia could be any way near being as good of a suit as she herself would be for the Duke. As this is only being perceived by the audience it is very humorous for them. As the scene develops the initial formalities carried out by servant and Lady are lost, and they continue their conversation in a more familiar manner. Olivia is entangled in Cesarios romantic vision of how he would love her if he were the Duke and ironically Viola is wishing that she was also the object of such passion from the Duke. Olivia is so used to the passive images that the Duke leaves her to imagine in his speeches, that she is overwhelmed when this attractive youth is romantically preaching about the willow cabin and love that is beyond the elements of air and earth, she is captured by the romantic image that Cesario is creating. Violas objective was not to attract Olivia for herself though this is clear through Olivia saying very enthusiastically, You might do much. When the audience is aware that this is in fact what she has succeeded in achieving, much to Violas dismay it is very humorous and just adds layers of complexity to the triangle which causes great humour. Humour and Irony is also something that can be acted well on stage, something for which Shakespeare was famous for doing. It is hard to interpret a play from a book of text, whereas when it is played on stage it has all ready been interpreted for the audience by each character, and manipulated in a way that causes the most impact on the audience. If this was a tragic play like Othello this would be done through creating chilling tension and a tragic ending. .ud1b8b398507610bd3c4efb885016f256 , .ud1b8b398507610bd3c4efb885016f256 .postImageUrl , .ud1b8b398507610bd3c4efb885016f256 .centered-text-area { min-height: 80px; position: relative; } .ud1b8b398507610bd3c4efb885016f256 , .ud1b8b398507610bd3c4efb885016f256:hover , .ud1b8b398507610bd3c4efb885016f256:visited , .ud1b8b398507610bd3c4efb885016f256:active { border:0!important; } .ud1b8b398507610bd3c4efb885016f256 .clearfix:after { content: ""; display: table; clear: both; } .ud1b8b398507610bd3c4efb885016f256 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ud1b8b398507610bd3c4efb885016f256:active , .ud1b8b398507610bd3c4efb885016f256:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ud1b8b398507610bd3c4efb885016f256 .centered-text-area { width: 100%; position: relative ; } .ud1b8b398507610bd3c4efb885016f256 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ud1b8b398507610bd3c4efb885016f256 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ud1b8b398507610bd3c4efb885016f256 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ud1b8b398507610bd3c4efb885016f256:hover .ctaButton { background-color: #34495E!important; } .ud1b8b398507610bd3c4efb885016f256 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ud1b8b398507610bd3c4efb885016f256 .ud1b8b398507610bd3c4efb885016f256-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ud1b8b398507610bd3c4efb885016f256:after { content: ""; display: block; clear: both; } READ: With close reference to the play explore the extent to which 'falling in love' and other events happen too quickly to be credible EssayTwelfth Night is however a comedy and revolves around creating so many silly complications between the characters through whit and disguise that ultimately creates such an amount of irony, that the audience cannot help take an interest, and wait to find out if the mess is ever entangled. The actors emphasise certain lines, and in some cases over act certain actions to emphasis certain parts to make the audience aware that either something humorous is happening a twist is being revealed in the plot. The reason this scene is so effective on its impact on the audience is because we are comparing two people who under their disguises are incredibly similar. They are both mourning the supposed death of their brothers, they are both originally of Noble status and they are both hiding the true objects of their affections. Both characters at the beginning of the scene were very formal and respectful of their different roles in society, end up letting down their guards, talking more familiarly and exposing subtly their vulnerabilities without it being too obvious to one another. This is clear for Viola through her jealousy and Olivia through her changing simple language and gentle tone. The dramatic irony that comes from the audience knowing the immediate circumstances of the story, and the characters being oblivious with entirely different perceptions of what reality they also face creates the tension and interest that makes the audience want to keep watching, which in affect is the whole objective of a play.